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Analysis of Kempo
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Originally posted by pengThe slow movements (which we're infamous for) build strength a little differently, it's a steady controlled power. Once you've got it burned in slowly, the speed just comes naturally. It seems counter-intuitive, but it's true.
It's like lifting weights slowly, if you do it fast, the initial power used is quite high, but after that, you've got a bit of momentum working with you, and almost nothing happening on the way down. If you do it slow, your muscles are working and straining every step of the way, up AND down, and so you build more strength.
With empty hand forms that translates into speed and power, as the muscles used to support and propel the limb are strengthened and can add to the movement THROUGHOUT the lifetime of the strike.
Since the first proposition may not be correct, we could say that your conclusion is flawed.
Altrough I agree on this:
The problem a lot of folks have is in memorizing the sequence of movements within a drill. In my own experience, I'm thinking of sword drills, specifically. Some students just see the drills as a sequence of movements to be performed. They know that after they try to stab me, I'm going to coil them, so they go immediately into the coil after the stab, which means I'm following their sword instead of leading it.
It's even worse on the defensive end, if you know what sequence of attacks is coming, you go immediately from block one to block two, and you wait for the opponent's sword to meet you there.
While it makes for a smooth-looking set of drills, it doesn't really teach much in the way of actual skills.
In any two-person drill set I endeavor to actually strike the opponent and block as if I don't know what's coming. The people I train with are the same way, and if we don't block correctly, we get hit, plain and simple. One of them is nursing a sore forehead as we speak because he didn't block my push effectively. Sometimes we even change them up and experiment with the subtleties of the movement.
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Very kosher KempoFist. I liked the article and agree with boardHitBack. Maybe well have an Alive fist Kempo one day. Anyway Kempo is stil a good art it just needs to be applied in an alive manner. Then it will start to look similar to kickboxing but still different.
Have a dead martial art? Just add aliveness and watch it grow!
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Northeast Anti-Silliness Department Inc.
- Jan 2006
- 6952 Location: Long Island, NY
Style: Kaju, BJJ, Judo, Kempo
Originally posted by ArahoushiAn honest evaluation of an art, and something that teachers of that art should probably think about.
Re: the breaking down of longer set techniques (kata, I suppose) into pieces
I think that kata training (in the sense of pre-scripted drills) is useful at some level, and obviously you can break drills down into constituent techniques and recombine them, but it needs to be emphasized that although you'll get a good feel for the motions of a technique this way, the only way you'll ever get good at it is to do it more times full-speed than you did half-speed or slower.
Not necessarily free form sparring, but attempting to perform a techinque on someone while they're fully resisting. Let me give you an example from judo. Suppose my uke and I have been trading off doing a drill on a throw. We've been practicing footwork, grips, kuzushi, fitting in, and finally throwing. Now, instead of just throwing us in randori, the sensei might have him try to do that throw on me full-speed while I do everything I can to resist it. We're still no at the "free sparring" level because he's locked in to one technique and I know what's coming. But if he can pull the technique off in this situation, it'll be easier for him to do in randori, right?
The idea is that you have to build from the drill stage, to a hybrid full speed and resisting drill, to the ultimate test of free sparring, which is, "practice" for what you're going to be using this whole art for.
I think you covered this point above, but I just reread and I didn't see it specifically in there, so I thought I'd get your input on it.
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Originally posted by Lights OutSince the first proposition may not be correct, we could say that your conclusion is flawed.
Altrough I agree on this:
The slow form method builds constant strength through the movement, the explosive fa-jing type techniques take practice as well, but the slow work makes them more effective (i.e. deliver more power) due to the constant strength and the "link up" of the rest of the body, perhaps.
Speed alone does not equal power, I suppse is what I'm saying. The speed comes from relaxation coupled with explosive movements, and the power comes from the slow, coordinated movements and muscle memory. I guess.
I can throw a fast punch with not a lot of mojo on it, or a fast punch with quite a bit of mojo on it, or a slow punch with quite a bit of mojo on it, and they all stem from the same training regimen.
Now, which part of the regimen causes which part of the performance is (obviously) debatable and up for question, but the results speak for themselves.
When we do lift weights, we lift them fast and with the whole body (cheater reps, as most folks call them).
EDIT:
Rereading that article, it makes a lot of sense. When I do "fa jing" movements, it's only every once in a while during the form. In light of this
"With only three reps per set, the total duration of the set is very short (~9 seconds). This is imperative since the force producing capabilities of the FFR and FF motor units decrease at any time longer than approximately 10 seconds."
I can see why they do it that way.
During the course of a 40 minute form, you do less than a minute of fa-jing.Last edited by peng; 5/14/2006 5:36pm, .
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Originally posted by pengHey, all I can speak from is experience. I've got a pretty fast punch these days.
Originally posted by pengThe slow form method builds constant strength through the movement, the explosive fa-jing type techniques take practice as well, but the slow work makes them more effective (i.e. deliver more power) due to the constant strength and the "link up" of the rest of the body, perhaps.
Originally posted by pengSpeed alone does not equal power, I suppse is what I'm saying. The speed comes from relaxation coupled with explosive movements, and the power comes from the slow, coordinated movements and muscle memory. I guess.
Anyway, performing tehcniques in a slow fashion wouldn't be my first choice to develop power.
Originally posted by pengI can throw a fast punch with not a lot of mojo on it, or a fast punch with quite a bit of mojo on it, or a slow punch with quite a bit of mojo on it, and they all stem from the same training regimen.
Originally posted by pengNow, which part of the regimen causes which part of the performance is (obviously) debatable and up for question, but the results speak for themselves.
Originally posted by pengWhen we do lift weights, we lift them fast and with the whole body (cheater reps, as most folks call them).
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Northeast Anti-Silliness Department Inc.
- Jan 2006
- 6952 Location: Long Island, NY
Style: Kaju, BJJ, Judo, Kempo
I don't see how you can get constant strenght in a slow movement. in fact, it would be a pretty relaxed motion, unless your doing it with some sort of resistance.
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Originally posted by KempoFistYeah, you make a very good point, and although I implied it I really should make a direct point about it in the final copy I give to my students. Thanks for the input. This is kinda why I threw this onto the flames of Bullshido before I decided this to be my final copy.
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Originally posted by KempoFistDo you know of dynamic tension type forms? Essentially resisting yourself through slow movements. I've never looked into the science of it to prove whether it helps or not, but I can say that after doing a few katas in such a fashion my arms are quite tired out.
BTW, in my non-edited post I also say "or was it speed x mass"?
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Northeast Anti-Silliness Department Inc.
- Jan 2006
- 6952 Location: Long Island, NY
Style: Kaju, BJJ, Judo, Kempo
Originally posted by Lights OutHow is it done? How can you do a movement in certain direction while resisting yourself at the same time? I mean, how can you do it seriously?
Still tiring nonetheless if you hold it in isolation like that while doing a kata. But again, whether you gain any strength or....anything from it I still don't know. I was always taught it as a way to build control and power.
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Originally posted by Lights OutYeah, like everybody else.
I don't see how you can get constant strenght in a slow movement. in fact, it would be a pretty relaxed motion, unless your doing it with some sort of resistance.
power=speed+mass, more or less, ot was it speed x mass?
A 1 pound object travelling at ten miles an hour has, let's call it, ten units of force. A 1/2 pound object travelling at twenty miles an hour has an equal amount of force, but what about a 200 lb object moving at 8 miles an hour?
The numbers may be off, but the point is easy enough to see. Internal arts train the body to act as one huge mass when issuing power.
Anyway, performing tehcniques in a slow fashion wouldn't be my first choice to develop power.
I doubt you can throw a slow punch wioth "mojo", mostly because it wouldn't be a punch, but a push.
You could be getting results despite certain parts of your training more than because of them.
Look how I carefully said "may not be" instead of "isn't". The debate lifting slowly vs. explosively still goes on between the weightlifting-lovers community.
EDIT:
And, of course, "punches" is shorthand for punches, kicks, twists, grabs, joint locks, etc. the same principles apply.Last edited by peng; 5/14/2006 6:15pm, .
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