Thread: Let's talk fight scenes- Haywire
1/21/2012 11:44am, #1
Let's talk fight scenes- Haywire
So, a week ago I wrote a review of Gina Carano's dumb action movie that made no sense*, but now that it's out I wanted to talk details with some of my movie nerds over at BS.
*Here it is, if you're interested- http://www.thefightnerd.com/movie-review-haywire/
So, as you can deduce the plot makes no sense, the movie is terribly paced, but, like the star, I'm forced to admit its very pretty.
The saving grace of the movie which I admit was awesome were two fight scenes that Carano had, one with Channing Tatum and one with Michael Fassbender.
For those who have seen the movie, or at least watched the fight scenes on hulu and other places where they are available, I feel these had a lot of what's missing from most main stream action movie fight scenes.
The tempo goes from suspense building to violence so abruptly that it could startle even the most jaded viewer. The use of sustained shots with a few choice cuts adds to the feeling of chaos while still letting the audience see everything that is going on. I think they should be taught in film school.
I know we have a lot of action choreography nerds on the site, so I was wondering if I was on the money on this one or just having a stroke.
1/21/2012 12:04pm, #2
On the original review, I quibble thusly:
It would be cynical to call the random series of events that follows the premise a “plot.”
1/21/2012 1:46pm, #3
1/21/2012 2:08pm, #4
I will end up going to see Haywire because my wife loves tough-chick flicks.
There are worse ways to spend an evening." If one wants to have a friend one must also want to wage war for him: and to wage war one must be capable of being an enemy." - Fr. Nietzsche 'On The Friend' Thus Spake Zarathustra
1/21/2012 3:27pm, #5
Whatevs, no need to get the thread split, I'll just let my observation stand.
1/21/2012 4:23pm, #6
But I was hoping to actually talk about fight filming. I guess McClaw is on vacation.
1/21/2012 7:25pm, #7
I watched the opening scene from the hulu trailer, and yeah, it's pretty damn badass. And my favorite part, it's aware of the cliches of the genre.
In particular, there's the whole tradition of when a fight scene breaks out, everyone else in the room waits and watches politely. I am racking my brain, and I cannot think of another fight where a random bystander ran to the hero's aid in a fight. That right there was pure awesomeness. That, and taken a character out of the background and into the foreground is something that I've always wanted to see more of; like if all of a sudden, one of the Star Wars films started following an Imperial Stormtrooper and told the tale from his perspective.
From a raw choreography aspect, I am always looking out for those little stunts that make you go "yeah, that thing that just happened, that was really cool." In this case, that would be Carano's armbar-omoplata-gun disarm sequence. That, and the bad guy's coffee cup sucker punch.
You mentioned the sound affects in your review, and they really, really played well into it. I think the combination of the lack of dramatic background noise, the lack of music, and the lack of jumpcuts all contributed to it having a very high tension throughout the fight. Almost like the tension in the duels in the old samurai films, but not quite.The fool thinks himself immortal,
If he hold back from battle;
But old age will grant him no truce,
Even if spears spare him.
1/22/2012 1:35am, #8
- Join Date
- Apr 2008
So how many cool submissions scenes are there? Wondering if I should bother going to see this movie.
1/22/2012 1:49am, #9
The most amazing thing about the movie is that after act one even the fight scenes, brilliant up until that point, get retarded. The final one was so lack-luster I was wondering if I was watching the same movie.
But, yeah, these are camera and sound mixing techniques that need to be implemented into better scripts.
1/27/2012 5:25pm, #10
I know it's almost a sacred duty for me, but I generally avoid watching movies like this because I've been burned too many times.
I'm looking at you, Bas Rutten.