Hong Kong, 2010: The Legend is Born - Ip Man
Yip Man Chin Chyun
ďThe Legend is Born Ė Ip ManĒ
Hong Kong, 2010
Genre: Action, Historical
Newcomer Dennis To stars as a young Ip Man, studying Wing Chun as he strives to find his own place in the martial arts world.
In what can be considered a spiritual prequel to Donnie Yenís Ip Man franchise, director Herman Yau explores the late grandmasterís early life as a student under Ng Chung-sok, played by Yuen Biao, and Leung Bik, played by Ip Chun. Riding the wave of popularity from the previous films, Yau even brings in actors from Wilson Yipís vision to his own movie, namely Sammo Hung and Louis Fan, playing new roles and attached for name value. I have the feeling even Dennis To was cast only for his uncanny resemblance to Donnie Yen. Underhanded marketing aside, Yauís film is a fairly mediocre piece of work. Itís shot well enough, but is plagued by cheap editing tricks that seem more at home on a soap opera than a feature film (more on this later). Aside from that, itís a fairly typical Hong Kong period piece, focused on the mingling of East and West cultures during the 1920s. Itís not particularly outstanding, but it gets the job done.
It feels apt to call the film like a condensed soap opera, because the writing feels exactly like that. With the overly complicated plot and series of unrequited romances, it always feels one step away from a dramatic cliffhanger moment. Dennis To is unsurprisingly bland for his first lead role, but Louis Fan makes the most of his time in the spotlight. To be honest, his part as Ip Manís brother Tin Chi had the much better story and character, and the film really should have been about him instead. Itís worth a mention that he did seem a bit too old for the part, and the amount of make up used can be a little distracting. Everyone else turns in pretty decent performances, even the guest appearance of Ip Chun, Ip Manís own son, as Leung Bik. The dialogue is cheesy and the story is weak, but everything feels like it comes together on the same level, thanks for the most part to the interesting characters. The nationalist sentiment seems less pronounced compared to Yipís movies, but the obligatory Japanese villains are still there for cannon fodder. Itís not a particularly deep film, but for an obviously channeled work like this one itís to be expected.
Kuang Hsiungís work as action director was immediately impressive. Incorporating a variety of styles and really tapping into the emotions of every encounter, his fight scenes bring a fresh feel to Hong Kong cinema. With some solid choreography and even better filming, Hsiungís fights are great fun to watch. The castís performances are strong in every scene, with a nod to Dennis To, who actually has some legitimate Wing Chun skills to demonstrate, as opposed to learning the style just for the film. The rest of the movie isnít particularly engaging or extraordinary, but it is an entertaining piece of work, and everyone does a pretty good job with the script they were handed. As long as you donít think about it too hard, The Legend is Born Ė Ip Man deserves to be given a chance.
Blog Link: http://fightfilmfriday.wordpress.com...s-born-ip-man/
Oh man, I watched the original Ip Man... which had pretty much no historical accuracy whatsoever. It was not a bad movie, but really, beating up 10 karateka at once who were as far as I could tell supposed to be Kyokushin-type black belts portrayed by people who had never actually studied any martial art at all, heh. In an era before Kyokushin. :p That one fight scene took it into the realm of redic for me...
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